His work—which also includes painting, drawing, weavings, and prints—is infused with his deep knowledge of Iran’s rich visual, craft, religious, and literary heritage. For full functionality of this site it is necessary to enable JavaScript. His practice stems from interests in Iranian culture and tradition, locksmithing, and political activism. Graduates from Tehran school of Fine Arts Tehran, 1955. Tanavoli with a viewer The sculpture stands 5.5 meters high in mirror stainless steel. Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. During his career, Parviz Tanavoli has incorporated the word within numerous works in a range of materials, shapes and sizes. Parviz Tanavoli (Iranian, b. (157cm.) For decades, sculptor and scholar Parviz Tanavoli has worked between his native Iran, the United States, and Canada. 1937) Heech Lovers incised with artist’s signature, date and number ‘Parviz, 07, 3/6’ (on the base) bronze 70 7/8 x 48 x 30 ¾in. Parviz Tanavoli maintains that "heech" (the Persian word for "nothingness") is a subject which has served not only as the lifeblood of his work, but has been a figure upon which, in his own words, he has "bestowed his heart". Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. Parviz Tanavoli Photograph: Courtesy of Parviz Tanavoli It is radical for an artist to make “nothing”. Parviz Tanavoli Parviz Tanavoli is considered to be Iran’s foremost sculptor. Iranian sculptor, painter, and scholar who created the works The Wall (Oh Persepolis) and Heech, and became the most expensive Iranian artist. Parviz Tanavoli is an Iranian sculptor, painter, scholar and art collector. Tanavoli as an art student Carrara, 1956-58. One of the founders of the Saqqakhana School, whose followers focused on the intersection of contemporary practices with traditional Persian folk art forms, Tanavoli began to create his legendary heech sculptures in the early 1960s. Throughout his career, Tanavoli has created a long series of works based on the concept of heech. Executed in 2007, this work is number three from an edition of six Gift of Abby Weed Grey, 1975.570. “Heech – Poems in Three Dimensions.” SUFI Journal, 25 May 2016, https://www.sufijournal.org/parviz-tanavoli-heech. 1957. (180 x 122 x 78cm.) Grey Art Gallery, New York University Art Collection. Johnston, Sholeh. From Galerie Maria Behnam-Bakhtiar, Parviz Tanavoli, Heech (2008), Fiberglass, 188 × 74 × 60 cm 1956. Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. Then later . He taught at the Minneapolis College of Art and Design where Nick Schenk studied. Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. Parviz Tanavoli, sculptor, painter, researcher and collector born in Tehran 1937. One of the founders of the Saqqakhana School, whose followers focused on the intersection of contemporary practices with traditional Persian folk art forms, Tanavoli began to create his legendary heech sculptures in the early 1960s. The face of Parviz Tanavoli's medal showcases a nightingale on an outstretched hand. As such, Heech transgresses the two-dimensionality of traditional calligraphy, moving the art into a new realm of possibilities. Furthermore, the three decorative locks on the right side of the sculpture may reference the three dots contained in the letter “če”. 1937) Heech signed, numbered and dated 'Parviz.02.4/6' (on the top of the base) painted fibreglass height: 98½in. PARVIZ Tanavoli Born in Tehran in 1937 Parviz Tanavoli is rightly regarded as the father of Iran's modern sculpture. Graduates from Tehran school of Fine Arts Tehran, 1955. (160 x 130 x 80cm.) 1937) Heech signed, dated and numbered ‘Parviz 70, 5/6’ (on the base) fiberglass 63 x 51 1/8 x 31 ½in. Bronze on wood base. Tanavoli’s “Blue Heech” sculpture was sold for $16,000. An artist, collector, scholar, and teacher, Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. in Johnston), Parviz Tanavoli, Heech Tablet, 1973. Parviz Tanavoli is celebrated as the father of modern Iranian sculpture. ... Red Heech (below) is in the British Museum, London. Returning to Tehran in 1960, he helped found the Iranian modern art movement known as Saqqakhaneh. He has been exhibited internationally on all continents and is often displayed in some of the leading museums around the globe including the British Museum, The Metropolitan Museum of Art, the Museum of Modern Art New York, and the Museum of Modern Art Vienna. An artist, collector, scholar, and teacher, Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. Parviz Tanavoli is among the foremost contemporary Iranian artists and a pioneer of modern sculpture. Compared to the supple and vigorous figure in the Heech sculpture, Heech Tablet possesses a more solemn and profound presence, as if suggesting an invisible link between the monuments of human civilization and the chaos and void within the universe. Tanavoli with a viewer From Davis Museum, Parviz Tanavoli, Big Heech Lovers, Bronze, 70 7/8 × 48 × 29 7/8 in 1955. 1937) Pink Heech signed, dated and numbered 'Parviz 70, 6/6' (on the base) painted fibreglass Height: 62in. Year: 2007 Size: 12 x 12.5 x 14cm Material: Bronze Collection: Private Collection Edition: 4/6 Tanavoli’s “Blue Heech” sculpture was sold for $16,000. From Davis Museum, Parviz Tanavoli, Big Heech (2012), Stainless steel, 132 × 45 × 57 in Tanavoli also imbued the sculpture with a notable degree of liveliness in its twisted, curvilinear form, which suggests movement in three-dimensional space. Then later . Thus, with his Heech series, Parviz Tanavoli transformed traditional Iranian symbols and religious practices to explore modernist expressions and concerns. Along with artists like Charles-Hossein Zenderoudi and Faramarz Pilaram, Tanavoli was particularly interested in exploring and reinterpreting the visual traditions of Iran in the context of modernism. 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