In common with many modern PA speakers, the cabinets, which include M8 rigging points, are formed with an angled rear corner (50 degrees in this case) to allow the speaker to double as a floor monitor. There were no obvious feedback issues when compared with other speakers I’ve used in the same venue, though in common with many plastic cabinet speakers I’ve tried, the sound you hear when standing behind them is pretty woolly and tubby, as plastic enclosures typically aren’t as good as wooden ones when it comes to minimising resonances. But is it worth paying the extra for the DXR12? lol. How do you set up the DXR in that situation? I would also like some advice as to level settings on both the Helix and the PA speaker to get the best out of them. $549.99. I put down a deposit on the DXR8. Also elevating the speaker to ear level could cause it to be far too bright or edgy in a room that size. I keep it set up as a monitor, but positioned behind me as I would a traditional amplifier. Measuring 308 x 493 x 289 mm it is also a comfortable carry, and light too, at 10.5kg. So, in all, the DBR10 is a pretty flexible little speaker, whether it’s delivering plenty of level to get your vocals across in a typical pub venue, or it’s being used as a very capable floor monitor. It sounds better than any of my guitar amps/cabs and fills the room better than any of my guitar amps/cabs. The most obvious competition comes from the likes of Mackie, JBL and Alto. Yamaha Powered DXR Speakers. × I went with the DXR8 because I listened to one connected to a Helix in the store.   Pasted as rich text. I had the opportunity to try these speakers both as floor monitors and as the main PA for a pub gig. I only play in a small room, about 3.5 by 4.5m. Thanks for helping me spend my money guys! In terms of placement, is the DXR8 best used like a wedge or sat on one of those PA Speaker stands? It also helps when I'm using the Les Paul in a more overdriven style to make it sound a bit bigger on power chords. Nice. I will of course try it as a wedge. Upload or insert images from URL. Thanks, that sounds like the way I want to go. I remember posting something recently about auditioning them both. I use 2 dxr10s and one sub for a full pa rig, or with an ensemble, I run one on the floor for myself, and if needed, the other aimed across the stage for the rest of the band. If you’re looking for a compact PA speaker that punches above its weight in terms of volume and quality, this could well be it. Available colors: User rating Web site designed & maintained by PB Associates & SOS. You may also want to check out Marco Fanton's many YouTube Helix videos. Both channels have individual level controls, and channel one has a slide switch to select between mic and line sensitivity. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The generally accepted process for gain staging your presets is to have the same volume level of output whether a block is turned off or turned on. We tend to be pretty disciplined in that regard as we've been together as a band for 9 years or so. I did not listen to the 8" version of either. I don't think these match K Series, I think they beat them hands down, especially for the price I paid $900 for the B-Stock. Im trying to decide which one to go for - the Yamaha DBR10 or DXR8. Yamaha DXR8 Shop now at Amazon. A Tripod legged Pole stand works fine, but their leg spread takes alot of floor space, and in a room your size, it may be overkill. The mids and highs are decent. I'm trying to decide which one to go for - the Yamaha DBR10 or DXR8. DXR10 speakers pdf manual download. This year, 2016, I'm celebrating my 50th year of performing, and over the years I have used countless combinations of speakers and mixers. Another increasingly common feature that is also present here is the inclusion of basic mixing facilities, enabling the speakers to be used in stand–alone mode for simple jobs. If that doesn't suit your needs postionally, or you do not care for how full or bassy it may sound, the next steps would be to stand it on it's base, or slightly elevate it on an amp stand (if you might already have one) or temporarily put on a chair or stool to get an idea of how it will sound elevated slightly off the floor. It’s always better to have this facility than not as it could get you out of trouble if somebody pours beer into your mixing desk halfway through a gig! 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